Day 1: Create & Challenge

Start your camp with creativity and team building at Capital E! First up, it’s exploring Virtual Reality in MediaLab. Next up, City Gallery WellingtonJoin the gallery educators for a Mural Tour and Screenprinting Workshop. Create a screenprint inspired by what you have seen incorporating kupu Māori.  

Day 2: Protest & Demonstrate

Start your day at Wellington Museum, which gives students the chance to connect the past, present, and future. In our Protest and Action programmestudents reflect on the driving factors behind social changeand contemporary issues. After lunch, it’s on to Capital E’s OnTV where your class will create their own TV show!

Day 3: Tour & Explore

Take the Cable Car up to Space Place, where your students will discover the collection of telescopes in a Telescope Tour. Eat a packed lunch in always beautiful Botanic Gardens.  Next up, Nairn Street CottageThe cottage is a 30 minute walk from Space Place. Here your students can explore Waves of Migrationwith a guided visit of the Wallis family home
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The Future of Monuments

Today, many want to pull down war memorials as expressions of bad politics, especially those memorials that legitimise evil and injustice. Are there 'good' war memorials—and who decides? Can we make use of 'bad' war memorials? How do we understand miscellaneous contemporary war-memorial projects, like Peter Eisenman's Memorial to the Murdered Jews of Europe in Berlin and Ground Zero in New York, or Weta and Te Papa's The Scale of War and Peter Jackson 'colourising' World War I footage? What form could future memorials take?

Everyday Mysticism: Artists Respond 

8pm 

Sculptor Glen Hayward’s practice brings the everyday into the gallery in profound and absurd ways. Reconsidering familiar objects is a concern shared by other artists. Join us as they discuss their practices and why they find commonplace objects compelling. 

Urn (Live)

9pm

Sonic artists Thomas Carroll (Ngati Maru, Hauraki) and Rob Tyler respond to the themes of Matarau. Fusing taonga pūoro and modular synthesis, they incorporate rongoā plants as a modulation source, to create works inspired by Māori philosophy, cosmology and experimental noise music.  

IMAGE Glen Hayward: Wish You Were Here City Gallery Wellington Te Whare Toi 2022. Photo Elias Rodriguez.

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Vianney Parata

Te Ātiawa Ki Whakarongotai, Ngāti Toa, Ngāti Raukawa, Ngāi Tahu, Ngāpuhi, Ngāti Porou,
Ngāti Kahungunu

Vianney is a multidisciplinary toi Māori practitioner with an eye for blending traditional methods of cubism within a toi Māori design style.  

Born and raised in Porirua, Parata attended Toimairangi, Te Wānanga o Aotearoa and graduated in 2018 with a degree in Te Maunga Kura Toi (Māori Visual Arts). Later that year, she exhibited her work, Ko Tōku Waikanaetanga Tēnei, with her closest whānau.  

Parata is a former tāmoko apprentice to Sian-Montgomery-Neutze (Ngāi Tara, Muaūpoko) and, in 2019, became a full-time tāmoko artist and toi Māori practitioner.

Throughout 2023, Parata has also been working to develop the toi Māori capabilities of her iwi, partnering with Te Rūnanga o Ngāti Toa to teach emerging Ngāti Toa artists toi ā-iwi and pakihi (business skills) to create sustainable careers and ongoing financial freedom for them and their whānau.

A māmā to her three beautiful girls, Parata strives to create a rich and expansive life for her whānau.

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Kauia Moriarty

Ngāti Toa Rangatira, Ngāti Koata, Ngāti Kahungunu 

From a large creative whānau, Kauia is grateful to have grown up around the arts and in particular, has been inspired by Māori theatre. Kauia was born in Pōneke but grew up in Ōtepoti. She studied music at the University of Otago in her young adult years and lived and worked in Auckland, Korea and Ōtepoti before returning to her tūrangawaewae of Porirua and Wellington in 2021.

Kauia has worked in various roles in Māori development, the arts, education and health and has painted on the side throughout her career to support and develop her creativity.

Since returning to Porirua in 2021 with her daughter, Kauia has focused her art practice on learning about the traditional painting practices of kōwhaiwhai through the Toi Rangatira arts programme run by Te Rūnanga o Ngāti Toa. Kauia is also grateful to be developing her knowledge and skills in other toi Māori practices through this learning. Her most recent works are inspired by the moana, changing tides and the movement of water.  

Māmā to her beautiful daughter, Kauia is committed to providing her with many opportunities to understand and practice traditional Māori arts as she grows and learns to navigate te ao hurihuri.

Moana Solomon 

Ngāti Toa Rangatira, Te Ātiawa ki Whakarongotai, Ngāti Raukawa, Ngāti Koata, Ngāti Tama, Kai Tahu

Moana has fond early memories of being taken to raranga noho marae by her mother, Ghena, and being surrounded by creative whānau and rich Māori imagery, which planted the seeds motivating her to pursue weaving.

Today Moana is an emerging ringatoi; a student of whakairo rākau and kōwhaiwhai design in the Toi Rangatira programme, offered by Te Runanga o Toa Rangatira, and continues weaving practices, such as tāniko, passed down through whānau.

This programme has rekindled Moana’s passion for painting and enhanced her understanding of Māori visual design and the intertwined elements of various disciplines of toi Māori.  

Te Taiao is Moana’s inspiration for her current painting, particularly native manu, incorporating elements of kōwhaiwhai and whakairo.

Coming from a large extended whānau engaged in the various disciplines of toi Māori, Moana is grateful to witness and be part of their collective cultural revival.

Toi Rangatira kōwhaiwhai roopu - Vianney Parata, Moana Solomon, Kauia Moriarty

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